Throat cancer silenced him for good in 1969, ending the life of a bigger-than-life R&B pioneer whose ego matched his tremendous talent. His greatest success came when he signed for Syd Nathan's King label, where he enjoyed a series of hits on the U.S. R&B chart in the late 1940s and early 1950s. In 2011, Harris's song "Quiet Whiskey" was number 9 the list of Top 10 Drinking Songs published by AskMen.com. It was during this performance that Harris first publicly performed "Who Threw the Whiskey in the Well" (a song recorded two years earlier by Doc Wheeler's Sunset Orchestra). The embargo on shellac during World War II had not yet been rescinded, and release of the record was delayed. Wynonie "Mr. Blues" Harris (August 24, 1915-June 14, 1969) was an American blues shouter and rhythm and blues singer. He's got publicity I could not buy". [16] His final large-scale performance was at the Apollo in November 1967, where he performed with Big Joe Turner, Big Mama Thornton, Jimmy Witherspoon and T-Bone Walker. In California the success of the song opened doors for Harris. "The W Harris Profile" quotes his birth date as August 24, 1913. Genres: Jump-Blues, Rhythm & Blues, Rock & Roll. His mother was Pattie's main caretaker. After that, Harris was rarely absent from the R&B charts for the next four years, his offerings growing more boldly suggestive all the time. Harris's mother, Mallie Hood Anderson, was fifteen and unmarried at the time of his birth. Since the contract with Decca was with Millinder, Harris was a free agent and could choose from the recording contracts with which he was presented. [11][12] His risque approach to material at times made his tracks "Keep On Churnin'" (1952) and "Wasn't That Good" (1953) jukebox favorites in the early 1950s. "Mr. Blues," as he was not-so-humbly known, joyously related risque tales of sex, booze, and endless parties in his trademark raspy voice over some of the jumpingest horn-powered combos of the postwar era. "Who Threw the Whiskey in the Well" also reached number 7 on the U.S. Harris re-recorded Brown's hit in 1948, after Brown wrote and recorded it in 1947. In 1960 he cut six sides for Roulette Records, including a remake of his hit "Bloodshot Eyes" and "Sweet Lucy Brown", "Spread the News", "Saturday Night", "Josephine" and "Did You Get the Message". Harris traveled as a singer and dancer with the Lucky Millinder Big Band in his youth. Harris' band was assembled by Johnny Otis, and the group recorded the 78-rpm record "Around the Clock". [8] It became the group's biggest hit, reaching number one on the Billboard R&B chart on July 14 and staying there for eight weeks. His wife, Olive E. Goodlow, and daughter, Patricia Vest, said that his father was a Native American named Blue Jay. Few records made a stronger seismic impact than Harris' 1948 chart-topper "Good Rockin' Tonight." "Mr. Blues," as he was not-so-humbly known, joyously related risque tales of sex, booze, and endless parties in his trademark raspy voice over some of … Harris went on to record sessions for other labels, including Apollo, Bullet and Aladdin. Wynonie had no father figure in his family until 1920, when his mother married Luther Harris, fifteen years her senior. Harris formed a dance team with Velda Shannon in the early 1930s. Later they lived in the Logan Fontenelle projects in North Omaha. His wife, Olive E. Goodlow, and daughter, Patricia Vest, said that his father was a Native American named Blue Jay. Influential blues shouter whose raucous, flamboyant style helped shape postwar American R&B and jump blues. Harris' own waxings were squarely in the emerging jump blues style then sweeping the West Coast. Ten months later his son, Wesley, was born to Laura Devereaux. Wynonie Harris Biography by Bill Dahl + Follow Artist. [22], In the television miniseries of 2005, Elvis, Harris was played by Marcus Lyle Brown.[23]. In 1946, Harris recorded two singles with the pianist Herman "Sonny" Blount, who later earned fame as the eclectic jazz composer and bandleader Sun Ra. Wesley became a singer in the Five Echoes and in the Sultans and later was a singer and guitarist in Preston Love's band. His final recordings were three sides for Chess Records in 1964: "The Comeback", "Buzzard Luck" and "Conjured". These included a 1948 cover of Roy Brown's "Good Rocking Tonight",[10] "Good Morning Judge" and "All She Wants to Do Is Rock". Some of his recordings are being reissued, and he has been honored posthumously. With Hal "Cornbread" Singer on wailing tenor sax and a rocking, socking backbeat, the record provided an easily followed blueprint for the imminent rise of rock & roll a few years later (and gave Elvis Presley something to place on the A-side of his second Sun single). It was here that Harris became known as "Mr. Blues". Bull Moose Jackson replaced Harris as the vocalist in the band. Blues” Harris (August 24, 1915-June 14, 1969) was an American blues shouter and rhythm and blues singer. Harris' reputation was spreading fast -- he was appearing in Chicago at the Rhumboogie Club in 1944 when bandleader Lucky Millinder hired him as his band's new singer. WYNONIE HARRIS BIOGRAPHY Wynonie “Mr. After scattered dates for Hamp-Tone, Bullet, and Aladdin (where he dueled it out with his idol Big Joe on a two-sided "Battle of the Blues"), Harris joined the star-studded roster of Cincinnati's King Records in 1947. There his sales really soared. It certainly wasn't Harris' fault -- his King output rocked as hard as ever under Henry Glover's supervision -- but changing tastes among fickle consumers accelerated Wynonie Harris' sobering fall from favor. When you saw Elvis, you were seeing a mild version of Wynonie". Chess gave him a three-song session in 1964, but sat on the promising results. It was later rerecorded by, Harris was one of the 40 inaugural inductees to the, Learn how and when to remove this template message, "5 Candidates for the First Rock 'n' Roll Song", "10 Often-Censored Songs from the Early '50s", Podcast interview with Harris's son Wesley Devereaux, and his biographer Tony Collins, https://en.wikipedia.org/w/index.php?title=Wynonie_Harris&oldid=989113235, Articles needing additional references from January 2018, All articles needing additional references, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, 1998" Inducted into the Nebraska Rock and Roll Hall of Fame in, 2000: Inducted into the High School Hall of Fame at, This page was last edited on 17 November 2020, at 03:10. Ironically, Harris shooed away its composer, Roy Brown, when he first tried to hand it to the singer; only when Brown's original version took off did Wynonie cover the romping number. On May 20, 1936, Ollie gave birth to a daughter, Adrianne Patricia (Pattie). His paternity is uncertain. The shouter debuted on wax under his own name in July of 1945 at an L.A. date for Philo with backing from drummer Johnny Otis, saxist Teddy Edwards, and trumpeter Howard McGhee. The touring slowed accordingly. Millinder called Harris and agreed to pay his asking price of one hundred dollars a night. Since the end of the twentieth century, there has been a resurgence of interest in his music. [8] They performed in North Omaha's flourishing entertainment community, and by 1934, were a regular attraction at the Ritz Theatre. Harris's success and popularity grew as Millinder's band toured the country, but he and Millinder had a falling out over money, and in September 1945, while playing in San Antonio, Texas, Harris quit the band. He was already a seasoned dancer, drummer, and singer when he left Omaha for L.A. in 1940 (his main influences being Big Joe Turner and Jimmy Rushing). By the time it hit in mid-1945, Harris was long gone from Millinder's organization and back in L.A. No blues shouter embodied the rollicking good times that he sang of quite like raucous shouter Wynonie Harris. Biography of Wynonie Harris on OLDIES.com. After the band's stint at the Apollo, they moved on to their regular residency at the Savoy Ballroom, also in Harlem. During the 1942–44 musicians' strike, Harris was unable to pursue a recording career, relying instead on personal appearances. On May 26, 1944, Harris made his recording debut with Lucky Millinder and His Orchestra. His break in Los Angeles was at a nightclub owned by Curtis Mosby. In July 1945, Harris signed with Philo, a label owned by the brothers Leo and Edward Mesner.

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