Martin was in the process of turning the company over to his son C.F. Martin ukuleles were in highest production from 1916 to the 1930's (hitting their peak in 1926, with over 14,000 made), at which time Hawaiian music and Tin Pan Alley were extremely popular, and in the late 40s and 50s, as servicemen came back from Hawaii (almost 12,000 were made in 1950). In 1916, Martin saw the demand for its ukuleles increase greatly, and although Smith and Ditson were its biggest customers, orders stated to come in from around the country, despite the fact that Martin had not yet advertised this new product or added it to the catalog. The Style 2 was almost identical to the Style 1, the only difference being the white celluloid binding around the top and back. This surely boosted sales of both sheet music and ukuleles. In 1920, Styles 1, 2 and 3 were added to the Martin line. Martin’s success between 1922 and 1927 was unprecedented. They made (and still make) mainly stringed instruments such as ukuleles, banjos and classical guitars. By July of 1916, orders for ukuleles were coming in so rapidly that Martin dropped serial numbers altogether, after putting numbers in 143 Martin-labeled ukuleles and 167 for Ditson. Like the C1K and T1k, it’s a great all-solid ukulele for the money and one of the best professional-grade soprano ukes available for under $500. 2017 West Coast Ukulele Retreat: The most fun you can have with your uke on! In August, they began selling taropatches  and also started to make a special line of ukuleles for the Ditson store. The Style 0 quickly became Martin’s best-selling instrument ever. Koa is a native wood of Hawaii and was the regular wood for Hawaiian ukulele manufacturers. Ukulele collectors sometimes refer to these wide-waisted Ditson ukuleles as “baby dreadnoughts.”. The Style 1 is described in that first ukulele pamphlet as “a neat and durable instrument.” It featured a 12-fret fingerboard and a mahogany body bound on top in rosewood. By 1965, Martin was making just four ukulele models—Style 0 and Style 3 sopranos, the 1T tenor, and the baritone. By the end of 1917, all had fretboard position markers. In 1926, Martin actually temporarily halted production of its most popular ukulele model—the Style 0—to help them catch up with demand. Perhaps the drop in sales in 1921 is what inspired Martin to add two new models to the ukulele line. To say that Martin’s ukuleles were a success is a major understatement. The Style 1 Centennial ukulele is produced in Mexico and features a darker stain and no headstock decal, both features of 1920s-era Style 1 ukuleles. In 1922, Martin made almost 5,000 ukuleles, making it obvious that the ukulele fad was far from over. By 1833, when guitar maker Christian Frederick Martin and his family left Germany to start a new life in America, a number of tourists to the Portuguese island of Madeira had already returned home and spread reports of a small four-string guitar that was the characteristic instrument of the island. Martin’s ukulele sales would never again reach the remarkable levels of the mid-1920s, but they did make quite a comeback after the war. Bar frets were generally used until 1934, afterwhich they used T-frets. Styles 3 and 5 were primarily for professional, with much more binding, fancy inlay in the neck and headstock, and a fret board that came all the way down to the soundhole. Martin ukes are considered to be the best for craftsmenship and sound. Martin Ukulele Models: Martin 0m, 1m, 2m, 3m, 0k, 1k, 2k, 3k, 5k. Styles 0, 1 and 2 were very similiar, but with more binding as the model had a higher number. Late in 1921, Martin added the Style 0, its plainest and least expensive model. The 5K, Martin's most expensive uke, was first made in 1922 (at $50 each, quiet an expense in those days). Martin’s ukulele line underwent some minor changes in its first few years. Later in the 1920s, ukulele sales began a long steady decline, exacerbated by the stock market crash of 1929 and the depression of the 1930s. In the summer of 1915, Martin began experimenting with ukulele construction. More affordable models soon followed, some made in Nazareth and some in Mexico. | Beautiful Ukes | Uke History Martin, as a brand, goes back 200 years. The wider Ditson ukuleles mirrored the shape of the new guitars that Martin was also making for Ditson. The company even had to resort to something it never would have dreamed of just a few years earlier—turning away all new customers until it could catch up with the order backlog. Koa ukuleles were also in the Martin production line and were very popular in the 20s and 30s. They also make a modern version of the Style 0, also made at their factory in Mexico. In 1928, an even larger Style 1T tenor ukulele was introduced. A rich history defines the proliferation of the ukulele, as well as Martin’s legacy in its manufacturing. In 1960, Martin added a larger baritone ukulele, Style B51, to the line.

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