What do you think? They both have wildly different tonal characteristics. I’ve made some decent recordings with these and haven’t seen the need for a ribbon mic. I love the rhode nt1-a, I’ve also been using Akg C214, which has a lot of he character of its big brother the 414. A very cheap dynamic won’t give you that air, probably, by itself, and your voice may sound a little plain and less vibrant, but then, again, I’ve listened to tons of professional records with just that sound, and not much dynamic, paradoxically, so the pulse of the voice was a bit off – maybe that’s also the singer – but the record is still there and it sound just fine. Give us your favorite mics for the dollar. It has a slight presence boost, like most cheaper large diaphragm condensers but it sounds great. My mike closet is very meager (prices are in Canadian $$$): I have a matched pair of Apex small diaphragm condensers with figure 8 patterns – only $189 for the pair. AKG D112 are my go to Tom mics as is Audix D2 for metal drummers, Beyerdynamic M 201 TG for Snare is much more detailed than 57. Might be worth mentioning that Rode recently re-vamped the NT-1A. Wonderful video. Just my two peso’s – love everything you do . Started with an SM58, then got a SM57, AT4040, EV-RE410, and most recently Neumann TLM102. The difference between the 55 and the 59 is mainly that the 59 is multi pattern. You showed web pages for retail prices, but I’ve been able to find great bargains on e-bay. AKG D1000 (can be found cheap on eBay) <$100 Next friday I have a vocal recording session with a friend who own a Rode NT1A – I think I will use both, the AT and the Rode to make a comparison. These are bizarre. For most studio applications, it is safe to bet that many producers would opt for the RODE NT-1A in most circumstances. I’ve been very impressed for this deal – though they normally run higher – maybe $30 to $50 each – but super deals on these are not uncommon. . :: There is a good reason for why to use matched pairs. The results are astonishing! It’s not entirely transparent (a good thing) and is fantastic on female vocals, although I find it a bit thin on male vocals. GLS mics are available for Orange County Speaker in CA. Very excited to see it up first on your list of condenser mics. they felt the sound was better than 57s Shure SM58 VS RODE NT-1A? Anyone wanting a kick mic but can’t afford Audix, try the Avantone Mondo. Dynamics: That could be a case. i still use sm 58 i bought in 1974 and never had any problems with it i got a sound man who tipped me on the 58. we were using shure pa 3 tall and 2 short and 150 watt head in this club we worked 6 nights a week for 6 years.we are a 3 piece band with 3 part harmoney, guitar player got roland synth,plays both on tunes as needed.thanks for info! Also…every room has one or more sweet spots where all mics will sound better. The key here is to understand the 3 different types. Rode M5 vs Shure SM57. I use the Blue Spark, Audix D6, and an Audix i5. So, if you’re looking to record guitars as well, the versatility of the RODE NT-1A may be a very attractive feature. The price ranges are $99, $149, and $199 respectively. I started with a Rode NT2-A as a large diaphragm condenser. http://www.slatedigital.com/vmspreview/. In my opinion, I think you can record decent vocals with the most uncanny microphones. The SM-58 is ideal for stage performances as they can handle far higher SPL levels and are less sensitive than studio condenser microphones such as the RODE NT-1A. Condensers, dynamics, ribbons. I’d never used it before, and you know this is over 10 years ago, probably 12 years ago now. Do you use it inside the cajon on or off a cloth, or aimed at the front or back/sound hole? Both came with their own shock mount, cable, and carrying case. It was really cool to see that you choose the same NT1-A and Spark that I did for the goto condensers! One of my other favorite dynamics is, I know these are all Shure dynamics. As far as ribbon mics go, I bought a T-Bone RM700 a couple of years ago and it sounds absolutely amazing on guitar cabs and acoustic guitar for just 100$… It’s also great for vocals, but a little more colorful, especially through a tube pre ( I usually send it through a 610mkII ). So you peps trying to get a bargain microphone be warned if you go the Ebay route. So it’s a great option alongside even an SM 57 in a guitar cabinet. So let’s start with condensers. Condensers, the X1 by SE is a fine choice, as is the X1R if you need a ribbon. This is Nils. I am middle school music teacher and use AKG Perception 120 mics with a Presonus Audio Box 1818vsl to record live “Radio Commercial Jingles”. I use these for guitars as well as overheads for Glyn Johns method. Click here to read our 15 advanced vocal recording tips. . The modified Rode NT-1 is sublime on vocals and acoustic instruments. The Audix Fireball V sounded incredible for beatboxing, but died very quickly whilst on tour with a big name artist, which was embarrassing so I don’t recommend them as being reliable. What’s up Jay? chick, 非常に優美かつ独特で、ずっと優雅な姿で潮流の最高峰に立って、流行に引率して 豪華スーパーコピーブランドお楽しみください！弊社は個性あふれるブランドコピー、すばらしい デザインと高品質を兼ね備えるスーパーコピーバッグ、優雅の魅力があるのスーパーコピー財布など人気商品が続々入荷！ http://www.wtobrand.com/lv2.html, These guys recorded their albums on a shure sm57 – that’s it… no fancy condensers and I love the sound. Rick, thanks. Again it is very very clean and transparent. You can use it on anything, put it on a guitar amp. So, did it transform the 57 into an 87. no….but it did make the 57 sound very similar EQ wise. Either way, the sm57 is the gold standard that every self respecting studio owner needs. The Rode M5’s are also great on acoustic instruments. Read This Before You Buy. AKG C2000 or C3000 for backing vocals or low strings (‘cello / viol da gamba). I love Rode. The MD 421 is at the top of the $100-$400 price range, but the C414 is definitely well beyond . For recording different instruments with a single mic each (or multiple different mics) having matched pairs has no advantages. Phantom Power is a term given to the process of delivering DC (Direct Current) to microphones requiring electric power to drive active circuitry. . The Se X1R sounds intriguing, though. Shure SM57 An old-timer in the mic industry, the Shure sm57 has been around since 1965 and is still going strong! It is much more expensive than what I’m looking at here, the sE Electronics X1R. I’ve found that the SM-57 is a lot better suited for my voice, it softens it up and makes it not sound so harsh. so it may be hard to get outside of Europe, but they are really worth it ! I’d be interested to know if anyone has experience of these. ), 6 Best Recording Studio Chairs For Producers (2020), Slate Digital Release Brand New Free Plugin ‘’Fresh Air’’. Chris J, I don’t typically record loud cabinets or screaming voices and usually look to capture lots of detail. Roger. I tried a CAD ribbon mic and absolutely hated it – no matter how I placed it, it sounded muffled and muddy – maybe it was defective. You can’t go wrong with any of them. Let’s examine each of these microphones properties in detail so you can get a better gauge as to whether you should start with a dynamic microphone like the Shure SM58 (check price on Amazon here), or a large-diaphragm condenser microphone like the RODE NT-1A (check price on Amazon here) for your first vocal microphone.

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