To be honest, it sounds considerably more expensive than it actually is — a fairly common theme with Rode mics! The mic weighs 390g and the body is painted in a non-reflective satin grey finish, with the top 35mm being a heavy-gauge wire mesh over foam to protect the capsule. All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. The technical specifications are good for this kind of mic at this kind of price. The bad news is that you can't adjust it with your fingers — you'll need a small screwdriver or pen. It will tolerate phantom power between 24 and 48V quite happily, and the battery is not used if phantom power is detected on the connecting cable. I couldn't test battery life as such, but I inserted a partly used PP3 and it was still going happily after being left on for the best part of a week. The frequency response is given as 40Hz to 20kHz, and the accompanying frequency response chart suggests a gentle roll-off at the bottom, roughly 3dB down at 100Hz and -10dB by 40Hz. Struggles to cut through on stage vocals. I have used SM58's before but with my … The good news is that this one is labelled. The sensitivity is a little low, at 6.3mV/Pa, compared with most studio capacitor mics (although fractionally higher than the C1000S), but I doubt it will cause any problems in typical close-miking applications in project and home studios, or on stage. The specifications claim more than 200 hours of use with an alkaline battery, which would equate to roughly six months of gigging twice a week. In comparison, the M3 sounds richer and more extended at the bottom, and less peaky and more airy at the top: it actually sounds like a much more expensive mic. The only way to check whether phantom power is present is to unplug and replug the cable, which will cause the LED to flash. pros. summary In fact, the bottom position switches the mic off if you are using the internal battery option, and mutes the mic's output if it is being phantom-powered. The M3 feels robust, and the supplied stand adaptor looks unbreakable. The polar pattern seemed fairly tight and well controlled across most of the frequency range — a good result for a mic at this price — and that should allow use as a coincident or spaced stereo pair, perhaps above drums or on pianos. I am sure that I will purchase another M3 in the future (and other Rode … The Shure SM57, the Sennheiser MD421 and the Neumann KM184 would be the top three on my list — but the Rode M3 could become another: it is that impressive. Mastering Essentials Part 3 - How loud should I master? The self-noise figure is given as 21dBA, which is identical to the C1000S and good for a 0.75-inch electret design (the NT3 has a figure of 16dBA). Australian company Rode have a more-bang-for-the-buck reputation of turning out quality microphones at affordable prices. The standard Rode 'gold blob' is present on the top side of the mic body, but unlike Rode's larger side-address mics it doesn't indicate the capsule axis: this is definitely a traditional end-fire mic, and you point it at the thing you want to hear! The SE Electronics Mini M1C is another possibility, with similar flexibility in terms of recording, but without the option of battery power. Smooth-sounding, with good extension at both ends of the spectrum, and the ability to cope with high SPLs, this is a very flexible mic, aided further by its ability to run on an internal 9V battery or phantom power. This is clearly a mic designed to withstand a lifetime of abuse. A well-engineered cardioid electret microphone that is capable of handling just about anything, with a remarkable degree of competence for the price. Why Are Some A-B Stereo Arrays Angled Outwards? Web site designed & maintained by PB Associates & SOS. Neither offer the recording flexibility of the M3 but would be better on stage vocals. The obvious moving-coil contenders at this price would be the ever-faithful Shure SM58 and AKG D3800 vocal mics. The battery compartment is clearly marked for correct orientation, and a curved plastic clip holds the battery securely in place when the mic body is screwed back on. Hi all, I'm gonna be recording an album shortly in my "on a shoestring" home studio, and need to get a mic for vocals. Unusually long. I ran the mic on phantom, from an installed battery, and with phantom when the battery was installed... and it worked perfectly on each occasion. Q. First Look: Pro Tools | Carbon. The views expressed are those of the contributors and not necessarily those of the publishers. Rode M3 £89. The M3 is equally suitable as a vocal microphone, guitar microphone, drum microphone or presenter … The most obvious contender, especially given the dual powering facility, is the AKG C1000S. Over the last decade or so Rode have rewritten the book when it comes to the cost and performance of studio microphones, and there can be few project studios without at least one Rode mic in their collection. Welcome to RØDE University! You may login with either your assigned username or your e-mail address. The first thing to strike you about the M3 is its length. Hidden away just above the battery compartment inside the mic is another three-position slide switch. And it would certainly be an ideal first microphone for anyone setting up a new project studio on a tight budget, but with the need to record a wide range of sources in reasonable quality. It's a case of horses for courses, and the M3 is exceptionally good for the price, easily matching or exceeding the specs and performance of its nearest competitors. Anyone knows of a comprehensive guide for Midas M32r Li... 24 hr Omnisphere pack deal + FabFilter, Best Service, R... Extended frequency response with smooth extremes. The latest offering is a new multi-purpose electret cardioid design, called the M3 — essentially a cardioid electret version of the hypercardioid NT3 (which has a true capacitor capsule). The maximum SPL is given as 142dB for one percent distortion (5dB better than the AKG mic). Gentle presence peak for subtle air. Their latest, the M3 (a small-diaphragm cardioid response, end-fire condenser), … We're here to rock as much as you are, so sit back and join us as we show you all the 'ins and outs' of recording your music.\r\rJoin semester one professor Peter Moses and rockers Hell City Glamours as they show you how to get the best results when using a RØDE M3 microphone to record your vocals.\r\rSee this and many other specially made programs for the musician, engineer, producer, photographer and audio enthusiast at http://www.rodetv.com.

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