( I think ) What brought this question to mind is me listining to some beds we did. It came up with just 19 options when I tried it, several of which are minor model variations. Thankfully, given a good acoustic venue (large, high and relatively dry sounding) this isn’t always a problem and can actually be beneficial in helping to glue everything together in the mix, although the ability to control the mix balance purely through manipulation of the channel faders is greatly reduced. I got them today, placed the mics , recorded the kit with the omni caps, then changed to the cardioids without moving anything, keeping the exact same settings. Lukas Laufenberg 05. Do any of you guys have a lot of experience with omni drum overheads, if so how do you position them? You really have to get it right by moving the mics around to set the desired acoustic balance. The wavelength of a 400Hz tone is about 33 inches. Connect the vocal notes 1m 38s. We can do this by tightening up the timing of the overheads, using the snare drum as our focus. Because of … While there are lots of omnidirectional capacitor mics on the market, dynamic omnis are much less common. For this, I can either zoom in on the waveform and simply line them up visually, or I can use a program like SoundRadix Auto-Align. I was out of the sweet spot and the left overhead … Stellen Sie das Mikro so auf, dass es schräg auf die Stelle … … Just like the C-2, this is a stereo pair of pencil condenser microphones that will give you a nice overhead recording. All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. Mastering Essentials Part 4 - Mastering EQ: Balance, Don’t Match. What is a "hybrid" audio interface anyway? Sign in to disable this ad ok so i got the mxl recording pack which has the mxl 990 and 991. i have an AKG D200 on my snare and a sm58 in my kick, but im not relay shure weather i should just use the small condenser or larger one. When I'm at the studio I normally use KM-84's or C12's (cardioid) as OH in either ORTF, Mono or "Glyn Johns", but recently I purchased a pair of omni's for my own personal projects at home/not in a proper studio and while I LOVE the sound of them I'm having trouble with the imaging. However, dynamic omnis are relatively rare, and of those that do exist, most professional types seem to be intended for hand-held radio or TV interview applications. The mics are taped to the ground creating an equilateral triangle with the kick drum. Aug 2013 15:38 Uhr Antworten. The All-New Behringer Keyboards 'n' Stuff Thread, 30-day modular deep dive/writing challenge. omni-drum overhead? Q. Sign in to disable this ad ok so i got the mxl recording pack which has the mxl 990 and 991. i have an AKG D200 on my snare and a sm58 in my kick, but im not relay shure weather i should just use the small condenser or larger one. So achieving the required perspectives, separation and control are the main issues of concern. For me, the greatest advantage of using omni mics is the extended and open bass response, and the lack of the inherent phase shifts that affect directional mics. Roly Guest. Notices Welcome to Boards.ie; here are some tips and tricks to help you get started. Re: Why does Liam Gallagher's vocals sound shit? Post by Silverlode » Tue Mar 07, 2006 3:28 pm Hi everyone. I decided to get the omni capsule to get a larger sound. Bass in higher registers 1m 28s ... Cardioid or omni mono drum overhead mics 3m 48s. Punkt 4 ist kaputt :(Robert Emmerle 05. As an example, let’s say the snare drum resonates at 400Hz. Dem Snare Sound sollten Sie besonders große Aufmerksamkeit widmen. kann ich nich einfach bißchen schlagzeug spielen..overheads..microabstand auf den millimeter genau, raumakustik..früher hamse mit 2 stereomikros aufgenommen. First Look: Pro Tools | Carbon. The Electrovoice RE50 and AKG D230 shown here are two of a small number available.Using omnis in live-sound applications is not for the faint-hearted, but it’s not impossible. Rode makes killer microphones for an affordable price. All rights reserved. SOS Technical Editor Hugh Robjohns replies: Omnidirectional microphones are (and always have been) excellent for music recording, and are the mainstay of most classical recordings for a variety of good technical and sonic reasons. I can imagine they’d provide an interesting alternative in roles such as drum overheads, and the lack of proximity effect should make them useful for close–miking. The views expressed are those of the contributors and not necessarily those of the publishers. drum overheads - omni or cardoid? I want to get some better overhead mics and am wondering if anyone thinks omnis would be a bad idea in a room with short ceilings. The rejection of spill (and room reflections) from the PA is the major challenge, but if the mics and PA can be well separated, and if the PA has a tightly controlled radiation pattern (with minimal reflections getting back to the stage) across the entire frequency range, then omnis can be used. Just like the C-2, this is a stereo pair of pencil condenser microphones that will give you a nice overhead recording. OMNI OVERHEADS « previous next » Pages: [1] Go Down. This is primarily because of their reduced susceptibility to handling and wind noise (compared to directional dynamic mics), and the fact that dynamic mics are inherently cheaper to make than electrostatic types. Um den Einfluss der Overheads auf den Bass Drum Sound zu vermindern, können Sie einen Low Cut benutzen. Rode makes killer microphones for an affordable price. omni-drum overhead? Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. The latter is a subtle characteristic, but directly compare a cardioid to an omni at the same location and (independent of the differing amount of room sound), the omni will always sound more natural and open, especially on critical instruments such as pianos, violins and voices. Omnis as drum overheads in basement studio?

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