A distance of two semitones is equal to one whole tone. C octatonic “half-whole” can be spelled as: It’s even possible to have various spellings of this octatonic scale. Finally, there are syllables to match any raised or lowered pitch, if we need them. So while the system uses solfège syllables (and abbreviations of them), tonic sol–fa functions as a notation system complete with rhythm and meter. C# to D: Here you are: C + half step = C#: On the tab pane 'Practice' you can play notes as on a piano. Bb octatonic half-whole: For example, Do is the home base note. F# octatonic whole-half: One of the ways of classifying scales is according to the number of notes they have per octave (aka – “note aggregate”). C# + whole step = D#: Again, three-note sections will help you master the intervallic relations in this scale. There are even whole tones like E to F#: Understanding the term octatonic as an eight-tone scale won’t be difficult if you’re familiar with prefixes. Here are some of them: I can’t wait to show you the application of the octatonic scale in a future post (I’ve already given you a hint… “diminished”). …similar to Db octatonic half whole. A + whole step = B: It might be easiest to sing as overlapping 1–2–b3 patterns: Note the caret above each number. In this post, we’ll get started with the octatonic scale. Please make sure you know these terms as well. To determine a whole tone from C, count two semitones: 1st semitone (C to C#): These names are also used interchangably with the numbers and solfege. Download Solfège Scale - With Solf ge Scale you can learn to sing intervals. …then we add a half step to F. F + half step = F#: When working through some of Barry Harris’ ideas on chord/scale relationships it occurred to me that the eight-tone or octatonic scales found in his method can be generated by taking the chord tones of the chord you wish to imply and fill with the notes of the diminished seventh chord that is … Both the half-whole diminished and its partner mode, the whole-half diminished (with a tone rather than a semitone beginning the pattern) are commonly used in jazz improvisation, frequently under different names. I’ll also prefer to use the term whole step to substitute for whole tone from this point on. From its name, you can tell that the half steps and whole steps are alternated in this order: Half step + Whole step + Half step + Whole step etc. The octatonic scale has inspired so many composers in so many different genres in part because of its fascinating intervallic qualities. Inspired by his role model (Jermaine Griggs) who has become his mentor, what he started off as teaching musicians in his Aba-Nigeria neighborhood in April 2005 eventually morphed into an international career that has helped hundreds of thousands of musicians all around the world. (You’ll notice that it’s the same solfege as for the major pentatonic scale, but starts on la instead of do.) F# + whole step = G#: It’s the note that makes us feel like the song is done. Hey Doctor! …where it’s a black note to a white note. …similar to A# octatonic half whole. D# octatonic whole-half: However, a movable system is best for helping students easily hear and recognize the function of each note in a scale and relationships between each note in a melody, no matter what key the music is in. …then we add a half step to G#. Below are octatonic “half-whole” scales in all keys: C# octatonic half-whole: Make sure you can connect solfege syllables to scale degree numbers and back again. From one note on the piano to an adjacent note, whether white or black is a semitone (or half step). The raised pitches in harmonic and natural minor match La and Ti in the major scale. …from a white note to a black note. …then we add a whole step to F#. Solfège is an exercise used for sight-reading vocal music in which each scale degree is assigned a coordinating syllable. …similar to Eb octatonic half whole. Tagged as: Who Else Needs Extra Help On Third Intervals? Now that you know your keys and scales, we can name all of the notes in a key. An octatonic scale is also used as a term that describe a scale with eight notes in it.

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