We start by introducing the minor blues form and exploring the similarities and differences to the standard 12 bar blues. All Rights Reserved. I’ll start by showing the progression in the key of A minor: In the key of A minor, the A minor 7 chord (Am7) is the i chord. Let’s take a look at common piano chord progressions in minor keys. The D minor 7 chord (Dm7) is the iv chord, Em7 is v, and E7 is V. The V chord will be a dominant 7th chord, which is the same type of chord used for all the chords in the major blues progression. Minor Key Blues. By my experience, The best scale was the blues scale in case of making a lead ! Bird Blues. We discuss and explore combining these scales to access more interesting sounds on the piano. Blues Piano Chords. The minor blues progression follows the standard 12 bar form but with minor 7th or minor 6th chords instead of the dominant 7th chords that you would associate with the traditional 12 bar blues. Piano Chords In The Key Of A Minor. A nice combination are the chords Am7, Dm7 and E7 together with the Am Pentatonic Blues Scale. Instead of “happy” or “sad,” this progression is a blank musical slate that’s easy to create with. At first glance, it appears that the minor blues are the same as the standard, except with minor chords instead of dominant 7 chords. This progression was born from the blues and is now featured in countless songs from many genres. When played over 12 bars, this progression becomes a “12-bar blues.” Note: A bar of music is a way of notating a set amount of time, or a certain number of beats, in the music. We then take the application of scales a step further by introducing modal scales. You can improvise blues in minor keys as well. This adds some nice voice leading into the ii chord. Step-by-step lessons to master jazz theory, Learn the blues, jazz blues, funk, & gospel, Syllabuses to guide your learning journey, learn to play your favourite tunes & songs. Leave us your email below and we will send you a full sample lesson and a PDF download. It’s not just simply a matter of changing all the dominant chords to minor chords. Minor iv chord gives this progression an edge of tension thanks to its addition towards the end of the progression. Essentially, bars 11 and 12 are a I-VI-ii-V chord progression. You can improvise blues in minor keys as well. Welcome to this course on the minor blues progression. Chord #1 — “The Major Triad” (For the sake of brevity, I’ll only look at playing blues in the key of C). It sounds really moody, ominous and sad. If you also, mash up the chords, I can guarantee you that the progression you come up with will perfectly make sense ! Further reading: 12-bar blues. The key of the the chord progression will determine exactly which chords will be used. You can, for example, combine the C Blues Scale with C7, F7 and G7 chords. If these areas are new to you, then check out these courses: Matt then introduced the minor pentatonic scale and the blues scale. We analyse the different types of bassline patterns that you can use, starting by outlining the primary chord tones, and then moving onto step-wise basslines which outline the tones of the scale. Playing the blues often comes down to a straight forward chord progression, which anyone can learn and play on the piano within minutes. A turnaround is a series of … Let’s now take a look at common chord progressions in the key of A minor natural. The chords used are basically major triads and dominant seventh chords and although minor, extended, and altered chords are used by modern players, the chords associated with Blues piano are major triads and dominant seventh chords. For example, an A minor blues progression would typically be: Am7, Dm7, Em7 (1,4,5). In the final lesson in this course, we apply everything we have learnt to the famous tune "Mr PC" written by John Coltrane. In the 12-bar blues, each bar would have four beats or counts, and each chord would last one bar. Let’s talk about scales, if you wanna make some soul instrumentals ! See jam tracks below. We use the iRealPro backing track to practice our in-tempo improvisation over the form. UK & Europe: +44 808 196 2012 In the key of A minor this would give us the chords, A minor, B diminished, C major, D minor, E minor, F major and G major. Simply change the chord type of each chord to minor! We start by recapping on the basic theory and then jump straight in with some improvisation drills and exercises to get you familiar and comfortable with these useful scales. Enhancing The Minor Blues Form We will then look at enhancing the minor blues form with inversions, substitutions and rehamonisations. US & Canada: +1 888 616 5371, © 2020 Copyright PianoGroove. These 2 scales are very similar in their construction and can both be used for improvisation over minor chords. This field is for validation purposes and should be left unchanged. Or, in the same way, the G Blues Scale with the chords G7, C7 and D7. You can stay on those two chords, alternating back and forth. Or, in the same way, the G Blues Scale with the chords G7, C7 and D7. Further reading: 12-bar blues. There is one more kind of jazz blues you should know. This one uses the minor vi and the minor iii. There is a lesson dedicated to left hand patterns and basslines. Or you can explore other options by adding in some major chords as well. There are a few other key differences which we will highlight in lesson 1 of the course. In bar 8, the iii chord is added with the VI. If we are in the key of C, the blues … See jam tracks below. Minor key blues uses exactly the same 1 4 5 root relationship from earlier, but with minor chords instead of major/dominant 7th. Modal scales are more exotic sounding than the pentatonic and blues scales. The turnaround at the end now has a VI chord added in bar 11. A nice combination are the chords Am7, Dm7 and E7 together with the Am Pentatonic Blues Scale. Essentially, the blues is a specific progression that uses the C7, F7, and G7 chords. We start by playing through with simple triad voicings, and then we extend the chords to include the 7th. We will then look at enhancing the minor blues form with inversions, substitutions and rehamonisations. We can also introduce passing chords to add harmonic interest to the 12 bar minor blues progression. This makes 12 bars in total – one for each chord. You should be comfortable with the concepts of chord extensions, altered harmony, and rootless voicings. The minor blues form is similar to the major blues form but also has some very important differences. You should be comfortable with the concepts of chord extensions, altered harmony, and rootless voicings. The following chord chart shows all the triads in A minor as well as four note extended chords. Why is a blues progression doing here in the happy chord progression session? The blues chord progression lasts 12 bars (thus the phrase “12-bar blues”) that move in a familiar pattern using those three chords. Chord i is a minor chord, chord ii° is a diminished chord, III is major, iv is minor, v is minor, VI is major and VII is a major chord. The blues chord progression lasts 12 bars (thus the phrase “12-bar blues”) that move in a familiar pattern using those three chords. You can experiment with improvising on … In this example, we will add a turnaround progression in the second bar. This chord progression is incredibly simple because it uses just three chords – I, IV, and V – but it has infinite possibilities for melodic improvisation. The harmony of Blues music is not usually sophisticated. It’s called a Bird Blues. They are as follows: i – VI – VII (Am – F – G) i – iv – VII (Am – Dm – G) (For the sake of brevity, I’ll only look at playing blues in the key of C). Essentially, the blues is a specific progression that uses the C7, F7, and G7 chords. Major Blues Scales . Some of the most famous blues, boogie and rock ‘n’ roll songs use this simple chord technique – artists like Jerry Lee Lewis, Little Richard, Ray Charles and Fats Domino would use these chords in a lot of their legendary songs. We can also introduce passing chords to add harmonic interest to the 12 bar minor blues progression.

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