Contemporary Musicians. What makes Johnny Hodges unique is that he is a style-master. However, the date of retrieval is often important. "Hodges, Johnny At the Village Gate! b. July 25, 1906, in Cambridge, Massachusetts, d. May 11, 1970) and Duke Ellington are eternally intertwined. Label: Verve Records - MG V-8317 • Format: Vinyl LP, Album, Mono Trumpeter Label • Country: US • Genre: Jazz • Style: Swing Duke Ellington & Johnny Hodges - Back To Back (Duke Ellington And Johnny Hodges Play The Blues) (1959, Trumpeter Label, Vinyl) | Discogs Hodges was also featured on soprano saxophone, but refused to play soprano after 1946. Also known as “Rabbit”, Hodges instantly recognizable tone, vibrato and glissandi are basic ingredients any aspiring saxophonist must study. . Most online reference entries and articles do not have page numbers. Trumpet, bandleader From 1951 to 1955, Hodges left the Duke to lead his own band, but returned shortly before Ellington's triumphant return to prominence – the orchestra's performance at the 1956 Newport Jazz Festival. Musically educated on the streets and cabarets of New Orleans, clarinetist and alto-saxophonist Sidney Bechet emerged as a major exponent o…, Henderson, Fletcher Quick View. The original Hodges style was to play very fast, in double time, and very frequently on the soprano saxophone. A few days after he acquired a soprano saxophone, Hodges forced an opportunity to meet Sidney Bechet backstage at a burlesque house in Boston. He played lead alto in the saxophone section for many years, except the period between 1932 and 1946 when Otto Hardwick generally played first chair. [2] Hodges' eldest sister introduced him to Bechet, who asked him to play something on the soprano saxophone he had brought with him. Terry was known…, Gillespie, Dizzy 1917— Goodman described Hodges as "by far the greatest man on alto sax that I ever heard. ." The Ellington fanciers will be well rewarded, for there are many passages of Duke’s unusual and charming solo improvisations. John Cornelius Hodges was born in Cambridge, Massachusetts on July 25, 1907. Although he could stomp with the best swing players and was masterful on the blues, Hodges' luscious playing on ballads has never been topp…. He experimented on his own, and took lessons sporadically for several years due to lack of funds. He played drums and piano early on before switching to soprano sax when he was 14. 9, Storyville (Denmark), 1960. He was 63, years old and lived at 170 West End Avenue. Possessor of the most beautiful tone ever heard in jazz, altoist Johnny Hodges formed his style early on and had little reason to change it through the decades. Many critics observed that Hodges effectively achieved a quasi-vocal quality with his instrument. Johnny, in his harmony, wasn’t too advanced.” Then, according to Waters, somebody said, “Call up Benny Carter” … Benny started playing “Georgia Brown,” and … every four bars [Carter would] move into a different key. Hodges played "My Honey's Lovin' Arms" for Bechet,[2] who was impressed with his skill and encouraged him to keep on playing. Ellington, Duke 1899–1974 ." In Ellington's eulogy of Hodges, he said: "Never the world's most highly animated showman or greatest stage personality, but a tone so beautiful it sometimes brought tears to the eyes—this was Johnny Hodges. New Releases. Personally, Hodges was known as an epicure and was well received in the most elite restaurants, where chefs were known to prepare special dishes exclusively for him and his companions. Encyclopedia.com. He started his own group and brought itto New York. Hodges, who emulated Bechet’s style, continued his association with Bechet later when the two appeared separately but on the same bill at the Rhythm Club in 1924 and together again at Club Basha in 1925. Born on July 25, 1907, Johnny Hodges was the saxophonist of choice for Duke Ellington. Hodges played both piano and drums as a child before taking up saxophone at age 13. Refer to each style’s convention regarding the best way to format page numbers and retrieval dates. “Johnny Hodges,” Duke said, “has complete independence of expression. Worked in clubs in Boston and New York with Sidney Bechet, 1920s; joined Duke Ellington orchestra, May 18, 1926; released with Ellington, Jazz Party, Columbia Records; Blues in Orbit, Columbia Records; Side by Side, Verve Records; formed own band 1950–55; returned to Ellington band, August 1955; released many solo albums including, Everybody Knows, Impulse Records, 1965; posthumous releases, Caravan, Prestige Records, 1992; Johnny Hodges with Lawrence Welk’s Orchestra, Ranwood Records, 1994. also earned a reputation for his whimsical sense of humor. The late Mercer Ellington, in a memoir of his father, stated that the contributions of Johnny Hodges “… were highly important and … enriched the band’s tonal fabric.” In the years after his reunion with the Ellington band, Hodges continued to make solo albums and to tour and perform with the Ellington group.

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