Here are, in general, the types of mics you will want to use. As recording and microphone technology has changed and evolved over the past 70 years, perhaps no instrument has seen a change in approach as drastic as the drum set. The one-mic drum trick. You will not get enough kick drum in the mix. For your kick drum, it is generally recommended that you use something with a large diaphragm. But you can record drums on a budget – at least when you’re getting started. You can get a great sound with just one condenser overhead mic and a bass drum mic. For example, using condenser microphones for live drums may not be too practical. The next thing you’ll want is a couple of microphones. Some recording engineers swear by the most expensive drums microphones to record great sounding drums. One mic above the drummer and one mic in front of the drum kit. The first mic configuration we’ll look at is the ‘Kick and Overhead’ setup. Recording drums can get complex and expensive. You can get away with recording an entire drum kit with one microphone. The Kick and Overhead method for Recording Drums with 2 Mics. Yes, you could use the mics as a stereo overhead pair, but there will be some sacrifice in the low end. Mic positioning 12. With the -20 dB pad, you can get up to 135 dB SPL, meaning it can withstand the dynamic range onslaught of a studio drummer. 11. In a studio, you can generally use many mic types to record drums. Another variation is adding a 4th mic as a close mic on the snare to give it a bit more presence in the drum mix, just like with the bass drum. In my opinion, if you only have two microphones to record drums with then you should go for mono. Recording Advice | Mic Placement, Recording Drums Share Tweet Possibly the most daunting task for an engineer new to recording is getting a great drum sound, so, since we’re doing some training with our drum team at the shop and teaching them more about miking up a kit, we decided this was a great opportunity to throw our two cents out into the world about drum recording setups. Room miking behind the kit: the four-mic set-up. This uses one microphone in the kick drum and one condensor overhead mic. If recording in a nice-sounding room and you have the luxury of spare mics and channels, putting up room mics can provide some useful natural ambience, which can really bring the sound of the kit to life when dialled into the mix. What also makes the AKG P420 drum mic perfect for recording your drum room or as an overhead pair, is its SPL (sound pressure level). Here, then are some tried and tested ways to record drums, piano and other instruments, no matter how many mics you have in your locker. 1. Not so for live sound. The signal noise is also fairly low, making it one of the more quieter microphones for the price.

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