This new high-resolution small-diaphragm condenser mic offers high SPL handling and a warm tone. The Microtech Gefell M300 is a very nice microphone indeed — a true all-rounder with a top-notch technical performance. Another single performance on a Simon & Patrick Luthier 12-string guitar, recorded this time with both Microtech Gefell M300 and Neumann KM84 mics. It compares very favourably with the benchmark-setting Neumann KM184, but with a slightly darker tonality that many will prefer. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Buy Microtech Gefell M300 Small-Diaphragm Cardioid Condenser Microphone (Dark Bronze, Matched Pair) featuring Cardioid Polar Pattern, Pressure-Gradient Design, Transformerless Circuitry, Small-Diaphragm Capsule, 40 Hz to 18 kHz Frequency Response, Smooth Treble Boost, Low Noise, High Dynamic Range, 48 VDC Phantom Powered, XLR 3-Pin Output, Includes Mic Holders and Stereo … It is ideally suited for miking up a very wide range of instruments and voices — spoken or singing. Mastering Essentials Part 4 - Mastering EQ: Balance, Don’t Match. Microtech Gefell M300 Stereo Pair. Mic clips and suspension mounts are available separately. The Gefell M 300 is a compact condenser microphone in studio quality. The mic is available in a dark bronze finish, p/n 211101, and ships in a wooden case. The M300 is Gefell’s small-diaphragm FET condenser, aka “pencil condenser.” It provides a fixed cardioid pattern and compact size for ease of placement. You can find these examples here: This is a simple stereo recording of a six-string Lowden acoustic guitar using the two M300 mics reviewed. Mastering Essentials Part 3 - How loud should I master? Microtech Gefell M300 Microphone Stereo Matched Set Cardioid Pencil Condenser Microphone The M300 is Gefell’s small-diaphragm FET condenser, aka “pencil condenser.” It provides a fixed cardioid pattern and compact size for ease of placement. Share Quote. The Gefell M 300 is a compact condenser microphone in studio quality. The Microtech Gefell M 300 is also known as: M-300. Read the complete review here The frequency response of the transmission factor is practically linear for a wide range of sound incidence and has a smooth treble boost rising to about 3 dB between 6 and 10 kHz The frequency response of the transmission factor is practically linear for a wide range of sound incidence and has a smooth treble boost rising to about 3 dB between 6 and 10 kHz. However, Gefell ended up on the Soviet side of the divided country, making communications very difficult. The presence peak seemed well judged to add a touch of air and detail without harshness — even on a notoriously difficult 12-string guitar. The reviewer has both Neumann mics with samples of all 3 on acoustic guitar. 6th December 2006 #22. The capsule is protected with a triple-layer wire-mesh grille at the front, and the large rear-entry ports to the sides are covered with a dual-layer wire mesh. There were also a pair of quality-control frequency response plots illustrating the very high degree of on-axis response matching. Frequency response is flat from 100Hz to 2kHz, then exhibits a gentle rise to +3dB around 10kHz. Until the fall of the Berlin Wall the German microphone manufacturer we now know as Microtech Gefell was unknown in the West — yet it was founded by Georg Neumann himself in 1943. -3dB points are at […] Since I own and use KM184s myself, I'll base most of my subjective comments on comparisons with that microphone. The Microtech Gefell M300 is a very nice microphone indeed — a true all-rounder with a top-notch technical performance. Read more: http://recordinghacks.com/microphones/Microtech-Gefell/M300#ixzz3FKr7QV3Z, 341 Burwood Road The frequency response of the transmission factor is practically linear for a wide range of sound incidence and has a smooth treble boost rising to about 3 dB between 6 and 10 kHz. Additionally, two mic holders and a stereo bracket are supplied for easy positioning in stereo configurations. It has a slightly darker tonality than the benchmark-setting Neumann KM184, and greater dynamic range capability. If you are in the market for a superlative small-diaphragm condenser I would strongly recommend adding the M300 to your short list — and it will be a very short list! Phone: +61 3 9813 5877 A very versatile small-diaphragm condenser mic with a top-notch professional performance. Microtech Gefell M300 The KM184 is brighter which many have said that they prefer the sound of older KM84. Optional EA21 elastic suspension mounts are available if required, although I didn't experience any significant rumble problems during my time with the mics. Dismiss, Created and powered by Steeleworks Pty Ltd, Microtech Gefell M300 Microphone Stereo Matched Set, http://recordinghacks.com/microphones/Microtech-Gefell/M300#ixzz3FKr7QV3Z. The M300 has much greater low-frequency extension, tailing off gently below about 100Hz to reach -4dB at 20Hz. The usual DC-DC converter that scales up the phantom power to the required internal voltages uses an optical coupler which effectively eliminates any phantom supply noise or spurious interference. The obvious differences occur at both extremes of the frequency response. Its M3 capsule employs a fairly conventional 16mm mylar diaphragm coated with evaporated gold. … The ceramic capsule design is borrowed from the very high-tolerance test and measurement mics that Microtech Gefell also make. A relatively high 80V polarising voltage is generated for the capsule, which is the key to the impressive SPL handling. The M 300 oozes quality right out of the box. There are lots of small-diaphragm condensers around, spanning pretty much all budgets, from the SE Electronics SE1A, passing through the Rode NT5 and on to the Neumann KM184. Selected pairs then go through an audition process. Personally I would want a M300 and KM184 to have both flavors. Frequency response is flat from 100Hz to 2kHz, then exhibits a gentle rise to +3dB around 10kHz. Individual quality-control plots for each of the microphones in a matched stereo set confirm the accuracy of the on-axis frequency response. I was also able to make a direct comparison with the much revered, but now discontinued, Neumann KM84 microphone, and my impression is that the M300 sounds similar, but with a little more presence and a shade less extreme high-frequency extension. How to install Waves v9 plugin on macOS Catalina. Hz. Re: Why does Liam Gallagher's vocals sound shit? First Look: Pro Tools | Carbon. The M 300 is a compact cardioid condenser microphone of studio quality. The smooth off-axis response ensured no problems with coloured spill when multi-miking, or in stereo applications. Both mics share the same low self-noise figure of 16dBA, but the M300 has far greater headroom, with a claimed 147dBSPL for 0.5 percent distortion — the Neumann is specified as 138dBSPL for the same degree of distortion. Consequently, the extreme high-frequency quality of these mics is quite different, with the M300 sounding slightly 'darker' and the KM184 being a little more 'sparkly' — although these purely subjective impressions are highly dependent on source material, naturally. Specs ; Reviews ; Product Description. -3dB points are at 40Hz and ~18 The basic construction of the M300 is similar to that of most other small-diaphragm capacitor mics, but with several clever twists. Win! Gefell perfected a capsule manufacturing process unlike any employed in making Western microphones. NetworkAudio. I was also able to make a direct comparison with the much revered, but now discontinued, Neumann KM84 microphone, and my impression is that the M300 sounds similar, but with a little more presence and a shade less extreme high-frequency extension. It also boasts a very impressive dynamic range, making it well suited to handling high-SPL sources.

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