A drum kit can produce very high peak sound levels. I'd probably prefer the SM7b on music that was a bit softer or less filled out, but the 421 worked beautifully on hard-hitting full mixes. The new heads on the toms helped. If an overdub, U195 When you buy products through links across our site, we may earn an affiliate commission. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. In my opinion, the best floor tom mic is a good overhead! Mics designed for snares sometimes miss the rich lower frequencies, making the sound thin and hollow; mics meant for kick drums can have the opposite problem. If needed, I'll use close mics to fill in some low-mid umph and texture. Are there any particular mics you guys like for floor toms… The SM7b sounded the most like the drum sounds. Floor toms can be tricky to mic because of their frequency range. If you like plenty of bottom on the floor tom you should really try Moonmics. The 2028 is designed for unique live stage performances. Start here for a slick, modern tom sound Band 1: +6dB at 150Hz Band 2: -15dB at 800 Band 3: +9dB at 6KHz. The 421 sounded like how I would process the tom in a rock mix - good high end smack, good low end thump without ringing sub frequencies or boxy mid-range. Beyer 201, sm58, 57, Audix I-5, or really any decent dynamic will do the trick. Sounds amazing! For a fatter sound, making use of the proximity effect, a 4011C Cardioid Microphone, Compact or 2011C Twin Diaphragm Cardioid Microphone, Compact with even higher isolation is a good choice. Rack tom and floor tom drum eq recipes. Kind of tinny, then with some low end there. the lowend out of what the "better" mic captured. Clips, Clamps and Mounts. My friend Joe Zook turned me onto the RE 20 on the floor tom, which for some reason I'd never heard or thought of. One of the things I was really curios to hear was how they were compared to each other on floor tom. I did a shootout recently, and I found that they all sound really great. Guidelines for miking snare tom-toms with DPA Microphones. In my opinion, the best floor tom mic is a good overhead! Probablly why it's also a great guitar amp mic, not fighting the bass. Someone said in this thread that it was junk... maybe on a lead vocal... how could they (sob) say that about (sobbing harder) the D112? This was on a hard-hitting southern blues rock band, and they're the best drum sounds I've ever gotten. Be the first to hear about our new products, workshops, events, contests, offers and more. The bleed isn't lovely, but the main sound it's picking up is just so god damn nice and the bleed isn't invasive enough for it to be an issue. View Larger Image; Note: when placing drum mics, it’s important to remember that sticks and hands and cymbals will be falling very hard near them, so make sure your mics aren’t in the way of the player or a rogue ride cymbal. I've been using an SM57 to mic my floor tom for a while now, but I want to get a deeper floor tom sound on my recordings. The SM7b on the other hand sounded like the rest of the kit but quieter, VERY natural (especially the snare). If you’re in the market for a good floor tom mic, the choices below are all viable options. i prefer to mic with a little distance so i often find dynamic mics have a bleed sound i am not crazy about, but the aforementioned D112 sometimes works great, as does the 441. waiting for the opportunity to try my D6 on the floor tom now that i have 2 of them. This website uses cookies, and also collects some information using Google Analytics. I am starting to buy microphones, I got the basics to record vocals, guitar and bass. Now I would like to get dynamic mics to record the drums. It's gooood. 57's seem to e.q that lowend out for you up front, and make your job easier. I recently used the BLUE Dragonfly Deluxe's on some toms with pretty decent results. Hi! One thing that I really noticed between them were the differences in the bleed of the rest of the kit. Beyer 201, sm58, 57, Audix I-5, or really any decent dynamic will do the trick. Oktava MK012/MC012 are my faves for batter head. If I were to get it, would either 2011C Twin Diaphragm Cardioid Microphone, Compact, Acoustical characteristics of musical instruments, How to mic speaker cabinets (for electric bass & guitar), How to mic the gu zheng (chinese lap harp), An all-day professional headworn solution, You’ve never heard a subminiature like this before. However, navigating which brands and models are best for picking up the boomy, low to mid-range sound of a tom drum is a tough task, made easier by our listing of the 4 top options for toms. However on the last session I had here we ended up using the 421 on the floor (and rack). Well for clip on's I have been having great luck with the Avantone Atom- very large sound ready to go with no processing. The 421 and the RE20 sounded pretty bad, honestly. I'm a lover of large diaphragm dynamics, especially on toms. In general, the best live tom mics and the best studio tom mics are the same thing, which is one headache less for those who need microphones to do both. If an overdub, U195 would be my first grab. Pictures Of Mic'ed Up Drum Kits In The Studio. Fill in your registered email, and we will send you a link to reset your password. if you have the channels, definitely look into micing resonant heads as well (just remember to check phase! The EV was somewhere right in between the two. In my opinion, the best floor tom mic is a good overhead! Hey there! I've had an SM7b for a while, got a pair of 421s after that, and an RE20 a month or two ago. Placing an omni or wide cardioid strategically between toms can focus on more than one tom. I have no idea, I have been using a 421 since 1995. been using the new Bock ifet on an 18 floor.. If needed, I'll use close mics to fill in some low-mid umph and texture. The 6066 mics sport a completely redesigned, lightweight, one-size-fits-all headset that attaches over the ears for maximum comfort. Mic Positioning: Toms and Room. I got the SM57 for snare drum and D112 for base drum and I was thinking about getting 2 Sennheiser E604 for toms. I was thinking about buying a Sennheiser E602/E902. Here is an MP3. I haven't used the RE20 on floor tom in a session yet but I'd guess it would be right in the middle with that too. ). Please review our Cookie Policy, which can be found here. It seems to have the perfect balance of transient and depth for anything percussive. Do you have any sound clips of the moonmic on kick? Any other thoughts? Yep, the D112 is a great little one trick pony. Sweet! Nobody mentioned the Microtech Gefell M930 which is a great big sounding small mic. my batter head mic on my floor tom has been useful as a spot ride mic for me many times. Then , when listening to the floor tom in solo, it sounds great, afterwards in the mix, folks e.q. This article breaks down mic placement to the individual drum pieces. Probablly because some mics on floor toms capture the lowend better than a 57. What they lack in size, they more than make up for in clarity, consistency and durability – three qualities that really matter.

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