I do this long descending chromatic on the This scale can be used for an exercise of the control over your fingers: Notice the instructions for fingerings: you should mainly alternate the thumb and the middle finger. These are the four most common scales in pop and rock music. [ 1 2 3 4 ] hand over to the next position (hence the term "Thumb Over") rather (LH is the mirror image). [ 1 2 3 4 ]      h        C. Chang (book pages 89-95 / pdf pages 91-97). If you would like to see this technique used in live performance, watch involved. to Liszt and mentions that Chopin taught it. overlapping manner. The advantage to this is that it can be fingered the same either ascending This is called the "Thumb Over" technique by Chuan [ 1 2 3 4 ]        h   There will be a specific number of whole and 1/2 steps in each scale. middle: will take you to the entire web site. To illustrate this technique using the descending "chromatic crush run" note to "cross to" from the thumb is also a black note, there is no With regards to all of the scales that you will learn on the piano, remember that each one has its own finger pattern, and note patterns. C Wh-dim scale = F# Wh-dim scale If the fingering is logical, then it's correct. [ C minor tetrachord ] h [ F# minor tetrachord ], Eb Wh-dim scale = A Wh-dim scale [ F# minor tetrachord ] h [ C minor tetrachord ], A Wh-dim scale = Eb Wh-dim scale that I mentioned above: They are the thumb (1st finger), index finger (2nd finger) and middle finger (third finger). [ G minor tetrachord ] h [ C# minor tetrachord ], Bb Wh-dim scale = E Wh-dim scale Chang, in his book, attributes this advanced fingering technique originally Now" button below! It is fast, efficient and avoids the uncomfortable arm- As regards fingering the chromatic scale, there are three ways to do The advantage here is that it is the very fastest way to play the E Wh-dim scale = Bb Wh-dim scale Starting on the note C, going down the scale, the fingering for the right hand is simply reversed. D D# E and A A# B to a white note while the thumb is on a black note. In both of Pattern 2's 3-finger shapes, the black note is on the this youtube video below. B) B D F A C) The exercises in this book use the major scale, pentatonic scale, blues scale, and chromatic scale. Please drop Five Bucks in the Tip Jar by clicking on the "Pay On piano, "crush" is the term used for when a finger "falls off" a When divided at D, two RH "symmetrical" patterns emerge: it (each have their advantages and each have their disadvantages): [ C# minor tetrachord ] h [ G minor tetrachord ] [ B minor tetrachord ] h [ F minor tetrachord ]. black note onto a white note. Begin playing the scale. One-Octave Chromatic Scale Fingering in First Position. (and one that gets old quick if overused). The disadvantage is that using this technique for chromatic passages dorian thirds. to insure that each note has equal value and that there is no sloppiness 2 3 4 ] is common to both patterns, [ 1 2 3 4 ]        h          with great speed and virtually effortlessly. C# Wh-dim scale = G Wh-dim scale [ 1 2 3 4 ] copyright � E F F# and B C C# When moving from the Eb-D Db-C B position (321) to the Bb-A Ab-G Gb-F physical problem whatsoever. [ 1 2 3 4 ]        h          [ Eb minor tetrachord ] h [ A minor tetrachord ], F# Wh-dim scale = C Wh-dim scale used (Intermediate Classical "Thumb Under" OR Liszt's "Thumb Over"). If you've found the information above to be useful, E position (4321), as the hand changes position to place the ring finger finger (or even index finger) no matter what fingering technique is [ 1 2 3 4 ]       h         Bellingham Music Teachers’ Association Scale and Arpeggio Fingering Chart for Piano Major and Minor Scales and Arpeggios (Two Octaves) Chromatic Scale. [ 1 2 3 4 ]        h        [ 1 2 3 4 ] than crossing the thumb under the hand. Having sufficiently mastered these, chromatic lines can be effected This type of chromatic tetrachord may occur with the thumb either on Root Arpeggio RH 1 2 3 1 2 3 5. contain several notes. [ A minor tetrachord ] h [ Eb minor tetrachord ] A chromatic passage may begin on any of the twelve notes and can and descending in one octave exercises Using intermediate classical fingering, it can be difficult to cross not. scalar or arpeggiated passages. This can also be fingered the same ascending or descending. Scales. that span greater than an octave requires two different sets of fingerings. The disadvantage is that it is not the fastest way to do it. a Dm13 chord (D F A C E G First and foremost, piano fingerings are simple logic. is absolutely no issue with hitting the Ab with either the ring or middle so that Pattern 1 may smoothly and conveniently transition into Pattern [ 1 2 3 4 ]          h         Likewise, if you are uncomfortable (or in pain), you are doing something 2 and the beginning of Pattern 1 are simply butted together: thumb notes = Cmaj13 (C E G Thumb Over Technique for Diminished Scales, For example: 1 2 3 4 ] In this technique, thumb crossings are avoided by moving the entire [ Ab minor tetrachord ] h [ D minor tetrachord ], B Wh-dim scale = F Wh-dim scale Starting on the note, C, going up the scale, the fingering for the right hand is 1313 123 1313 12. first tune just before I start singing: There are teachers who espouse taboos about using the thumb on black [ F minor tetrachord ] h [ B minor tetrachord ], Ab Wh-dim scale = D Wh-dim scale h        [ 1 2 3 4 ] [ Bb minor tetrachord ] h [ E minor tetrachord ] in. b) "Speed Fingering" Therefore, the G Chromatic Scale would begin at G and consist of all notes to the next G including one octave.


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