Fmaj7 (II7): F-3, A-3, C-4, E-4. Chord and voicings. The most important four note chords. I’ve chosen to do all examples in this lesson with an A7sus4 (b9), mainly because it makes it a bit easier to play the chord voicings over the open A string in the examples. As explained in the video, the most common chords used from the phrygian dominant scale are the 1 (I), 2 (II), 4 (iv) and 7 (vii) chords. Bmin7b5 (vø7): B-3, D-4, F-4, A-4. It’s a great chord to give a song a twist by adding this in a cadence or using it as an intro or interlude pedal point. Am maj7 (iv7): A-3, C-4, E-4, G#4. The intervals in the Phrygian Dominant Scale scale are Root, Minor Second, Major Third, Perfect Fourth, Perfect Fifth, Minor Sixth, and Minor Seventh The C Phrygian Dominant Scale scale is composed of the notes C, Db, E, F, G, Ab, and Bb If you need help in reading the diagrams on this page, check the How to read music for guitar tutorial. The Phrygian Dominant in jazz is a term used for a sus4 (b9) chord. The following chords are the most important four note chords of this scale: Edom7 (I7): E-3, G#3, B-3, D-4. G#dim7 (iii°7): G#3, B-3, D-4, F-4. Here's how those chords would appear in several keys. Cmaj7#5 (VI7): C-4, E-4, G#4, B-4.

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