By Edmund W. Davis. It would have been in 1980. The Stooges were up next and there was a sinister, foreboding feeling in the air. As he ditches the biz to sell insurance for a while and raise his son, the eventual Blue Ash reissues, reunions, and a fine new band, the Deadbeat Poets, come along like needed yield signs and visons of another skyline in the distance, promising more Secich stories down the road. Through our diverse music programming, accessible venues and no cost concerts, we provide the citizens of Blue Ash, Montgomery and surrounding areas with an enjoyable, affordable, quality music experience for audiences of all ages." Frank Secich: We did Rodney’s KROQ radio show, “Rodney on The Roq,” a couple of times. This is a set category.It should only contain pages that are Blue Ash (band) albums or lists of Blue Ash (band) albums, as well as subcategories containing those things. I told him I was so busy with all of the Deadbeat Poets and Blue Ash recordings and tours that I just don’t have the time. Sprung from the smoggy skies of the northwestern Pennsylvania/Ohio border, the band got signed to Mercury Records the same time as the New York Dolls, 1973, making for an impressive one-two punch of influential bands who sold shit and got dropped. In the early Blue Ash days sometimes people would scream at us, “Do some GRAND FUNK! After our summer residency at Geneva, John Hanti and David left the band, I switched to rhythm guitar, we got Manfred Kodilla on bass and Terry Murcko on drums. Bob asked us to record it and he produced it in Philadelphia. But, unlike the usual dropped musician who slinks off to a farmhouse somewhere, only to hear rumors of his/her influence 15 years later, Secich remained active, and even added to the post-punk groundswell as bass player/co-writer with Stiv Bators on his early solo stuff; and in the last lineup of the original Dead Boys from 1979-81. There were no boos from the Cleveland fans that night. Every time that I breathed it was ungodly painful. Bob took the tape to New York to try and get a major label to put it out, but no one was interested. bill1489802: Musician in Blue Ash, Ohio. The late, legendary local DJ Boots Bell ruled there. He made us famous back then in Ohio and Pennsylvania. Secich (pronounced SESS-ich) was the bass player and founding member of early 1970s proto-power pop greats, Blue Ash. My Uncle Steve took me to see him and hear him speak. Also, that was the night when Keith and Patti Hansen started going together. The Freak Out was our home, as our manager Geoff Jones had an office there and we rehearsed there. So February 9, 1974 – exactly ten years from the day the Beatles debuted in America on The Ed Sullivan Show – Blue Ash played with the Stooges at their final show before they broke up at the Michigan Palace in Detroit. Frank Secich: We recorded the album Disconnected at Perspective Studio in Sun Valley, California. She was artistic, a free thinker, and a free spirit with a tremendous sense of humor. PKM: The Raspberries – when did they first kind of pop up in your world? Frank Secich: With Blue Ash and even with the Deadbeat Poets (the current band I’m in) we still get referred to as power pop. I believe it had been some kind of speakeasy during Prohibition, but was abandoned and dilapidated by the time 1960’s rolled around. We knew we couldn’t match them talent-wise, but we were quite capable of putting on a wild anarchic show. We borrowed a big Gibson amp from Joe at Sharon Music Center to plug our microphones through, so I don’t think we sounded too bad. GRAND FUNK! PKM: Your first show you played, in September 1966. Marquee at the Aragon Ballroom Chicago June 15, 1973. The Stooges, MC5, Velvet Underground, New York Dolls were the vanguard, but there were also many throwback three-minute popsters like Badfinger, Raspberries, Big Star, Flamin’ Groovies, Blue Ash and more simmering in the shadows spreading discontent and rebellion with an occasional breakthrough. This night the band I was in (Great Hibiscus) opened for the New Hudson Exit, which was Phil Keaggy’s band who were great and the most popular band at St. Joe’s. PKM: Another seemingly big deal you quickly mention in the book – you had a collapsed lung?! My favorite Big Star song is “The Ballad Of El Goodo,” which I rate as amazing. Yoko was very friendly and cool. PKM: More from that summer of ‘79, hanging in L.A. a lot, getting on Rodney Bingenheimer’s radio show. Blue Ash. We played all summer of 1968 at Geneva-on-the-Lake, Ohio, which was and still is a resort/vacation place on Lake Erie. They always had two bands. (photo by Theresa Kereakes). Jimmy Zero, Johnny Blitz, and I recorded the original demos of “It’s Cold Outside” and “The Last Year” there in November of 1978. All I wanted to do was be in a band. He’s the author of the ‘90s garage punk history tome, We Never Learn. PKML Kirk Yano’s After Dark Studio in Parma, Ohio. !” Stiv says louder, “I said, where’s the men’s room?” Jagger shakes his head and says, “It’s over there around the corner.” So, we went off to the rest room and just fell about laughing. Hopefully, it will be released someday. Co-edited by Gillian McCain and Legs McNeil, the authors of, Stiv Bators Band 1980 in Sun Valley, CA - Frank Secich, Stiv Bators, David Quinton Steinberg and George Cabaniss They gained a loyal following playing an endless stream of one-nighte…. We had a lot of relatives there on my mom’s side who we would visit, and we also went to a lot Cleveland Indians games and to Croatian music functions. Internet Explorer is no longer supported on Last.fm. Youngstown Ohio's Blue Ash, active from 1969-1979 and reunited in 2004 for some reunion shows. Hailing from Ohio just like the Raspberries, Blue Ash are the great forgotten power pop band of the early '70s. That was a great perk about being on a major label. Sites: Facebook, MySpace, Wikipedia. On the first night, we had a very special guest come up and play drums with us and that was the legendary actor and comedian, John Belushi. Playboy offered us an LP deal, and we flew to L.A. and finished the album at Village Recorder. We were still a cover band, covering mostly the Beatles and Stones. I said to Stiv, “I can’t believe you did that!” Mick Jagger was always his hero. The Penn Alto would hold 1,000 kids and 975 of them would be teenaged girls. They also did Buffalo Springfield, Animals, Rolling Stones, Blues Magoos quite excellently. It was a souvenir of a historic night. The electric set was spellbinding. After school that Friday I took a bus the hundred miles from Sharon to Cleveland. I remember her passing around a bucket and asking everyone in the audience to puke into it and pass it along. As Boots would say, “Yes indeedy doody daddy!”. What, for you, made that Cactus mess stupid but the Stooges KO show so funny and fun? We loved how they sounded. My ticket was right in the middle of the first row of the balcony. There is a great film of them playing at The House That Jack Built in Vienna, Ohio. Boots loved Blue Ash. Topics about Blue Ash (band) albums in general should be placed in relevant topic categories One of the biggest influences for us starting Blue Ash was Cyrus Erie, which had future Raspberries Eric Carmen, Wally Bryson, and Mike McBride. After we inventoried the tapes, we counted an amazing 219 recordings Blue Ash had done from 1972 until 1979. PKM: How was Stiv Bators in the recording studio? I always thought they were a great band. Circumstantial Evidence hits a kind of zany zenith on a mid-book, seven-page blitz of Dead Boys stories that include Iggy Pop, Susan Sarandon, and a prop plane, amongst other… well, I’ll leave it to your imagination. I remember he looked like a movie star! We needed a place to hide the beer so we broke into the house. Argyle, Wisconsin and Deer Park, Illinois. To top it all off for the real climax of the album, I wanted an 1812 Overture type ending for “I Wanna Forget You (Just The Way You Are)” – big, bombastic and over the top. Anita Pallenberg and Nico would come to a lot of our gigs. When you started to see the term “power pop” around, what did you think? Since you’re playing in this dump all the time anyway, why don’t you boys bring your sling shots, BB guns, traps, and bows and arrows down here and get rid of all these rats. Front Page News was released in October of 1977 and distributed by CBS and started taking off selling around 34,000 copies when Playboy Records folded, and Blue Ash were once again left out in the cold. She was there to do an interview after us. We loved that place. Anyway, we started our set and we’re going over fairly well with covers of “Stray Cat Blues” and “Kick Out The Jams” when Stiv pulled out a can of whipped cream and started shaking it in his crotch area at the crowd from the edge of the stage.

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