The cardioid polar pattern makes the microphone awesome at feedback rejection. Shure SM57 – You can never go wrong with an SM57. The fact that it is also very cheap makes it one of the best drum mics for the money. It’s been used on about 75% of professional recordings. The sound of the Shure SM-81 drum mic has been called “vintage.” Even though super neutral, it has a slight color that you’d expect from a vintage mic — round, and not as “quick” as many modern small-diaphragms. Spec-wise, the Sennheiser MD 421 II drum mic is a dynamic microphone with a large diaphragm with a cardioid polar pattern. What also makes the AKG P420 drum mic perfect for recording your drum room or as an overhead pair, is its SPL (sound pressure level). (NOTE: These are also great mics for recording bass guitar due to their superior low-frequency response). It also makes it great for minimizing feedback in live sound situations. Most owners of the AKG P420 drum mic tend to be budget project studio owners who want to get pro sound for the money. It has a frequency response of 20 to 20,000 Hz, and with the ability to attenuate the low end with the 300 Hz low-cut filter. It has 9 switchable polar patterns which include omni, wide cardioid, cardioid, hypercardioid, and figure-of-8. It has plenty of presence but it’s not very bright, as the typical small-diaphragm condenser microphone (especially at this price) would be. Users comment on its super quick transient response which brings up a lot of the details in the kick than any other kick drum mic. Using any of these mics on a small boom stand will allow lots of flexibility in positioning. Hopefully, this guide was able to help you decided on the right buying choice for you. Lives … The typical snare drum microphone is a dynamic mic. It has a great low end response that extends all the way down to 20 Hz. Engineers often elect NOT to mic the ride/crash cymbals individually…. Its body is made of reinforced fiber glass, so it can withstand both the impact of a drum’s sound, as well as some good jolting when fastened to the rim of the drum. If you are looking for the best tom mics with only a small budget then this is a solid choice. Your email address will not be published. This can be challenging when you want to do “close miking” on a percussion instrument, but you don’t like how “boomy” it might sound. Spec-wise, the AKG C414 XLS drum mic is a large diaphragm condenser microphone. If you are unfamiliar with the Shure Beta 91A drum mic, don’t let the strange design startle you, this is one of the best kick drum mics around. So this guide will explain what goes into choosing the best microphones for each drum, and how you can make the best choice for yourself, based upon a few factors. It has an exceptionally neutral frequency response that remains smooth all the way through 20 Hz to 20,000 Hz. Being that these are condensers, you can expect the sort of high quality that comes from a value condenser microphone. If you are utilizing a 7-piece drum mic kit, you will need 3 microphone stands. Spec-wise, the SM57 drum mic is a dynamic microphone that has a natural way of capturing sounds without there being a lot of frills. You will not only want to use them on drums, but on anything else you can or would want to record. The Shure PGA56 drum microphone delivers rock-solid sound and reliability no matter the application for its use. And herein lies the issue…. The industry standard dynamic microphone for drums (especially as a snare mic) is the Shure SM57, you really can’t go wrong with one of these….and they’re bombproof! It’s a great kick mic for the money, and will certainly make you happy. One of these is for the kick drum mic and the remaining 2 are for the overhead drum mics. Sometimes, one mic is all you need to get the results you want when playing your drums. If you have a microphone with a frequency response that remains sensitive all the way down to 20 Hz, naturally you’ll get some decent sub bass in your kick. Although, many engineers sometimes choose to let the Overhead mics capture the toms. But they certainly sound great when recording drums overhead or drum room. It is a classic microphone, with its origins going all the way back to 1960 when it was released. 1) Shure SM57-LC Cardioid Dynamic Microphone. If you read the buying guide section, you would’ve learned the best way to select a microphone, and a simple read through of the description of each microphone would bring you to a very simple selection. There are a few options in this list for great dynamic drum mics for kick drum and floor tom. This type of mic is perfect for overhead use, while the dynamic is best for a close mic. You might realize this at the mixing stage. And they are also found quite often in project home studios by the discerning buyer. Large diaphragm condenser microphones often have the widest sonic signature. That mic is of course, the Shure SM57 – (Amazon / B&H / GuitarC / MusiciansF / Thomann) Here’s what it offers: It has that “pro sound” that you’d expect from AKG, with a very flat response on the low and middle frequencies, and a presence peak around 10 kHz. This microphone gets a lot of awesome reviews from those who have bought it and used it. To cover a standard kit, an engineer could use anywhere from two to a dozen-or-so mics depending on: And since most home studios have far less mics that they would prefer…. A large diaphragm microphone will give you a bigger sound, but these do a very good job at bringing out the shimmering details in your hats and cymbals in your overhead. Of course, to do this, one of the first things you’ll need is a collection of the right microphones…. In fact, Neumann describes the sound of the Neumann KM 184 drum mic as “fresh and livelier” than their previous model (the KM84). (Looking for something a little more for general use? Large diaphragm mics are great for capturing the low end of the drums, while the small diaphragm mics are good for the high frequencies of the cymbals. You may be familiar with the fact that the closer you hold a microphone to its audio source, the more “bass” it will pick up. If you were just reading out of curiosity, thanks for stopping by! This site uses Akismet to reduce spam. But essentially, there are a few requirements that you need to keep in mind. In forums everywhere, these have constantly been referred to over and over as one of the best drums mics for overhead that money can buy, period. That makes this Shure SM-81 drum mic a favorable choice for professional drum production on a budget. In application, the Shure SM-81 drum mic is ideal when you want to get tight, detailed, and focused drum recordings. But being a dynamic, with a high SPL rating (160 dB) you can definitely feel comfortable about the fact that it can take the dynamics range abuse of a closely miked drum.

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