This professional dynamic instrument mic can handle SPL’s in excess of 144 dB. Used for stage, studio and broadcast applications, the D4 dynamic instrument microphone is designed with a hypercardioid pickup pattern for isolation and feedback control. Like all dynamic mics, it handles high SPL without breaking up. The capsule mechanisms of the D1, D2, and D4 are virtually identical; the capsule diameter is just over 1'', and the inside diameter (approximate coil diameter) is about 22mm. Go way down low with the Audix D4! This hypercardioid dynamic mic is perfect for instruments requiring additional bass response. The Audix D4 drum microphone offers both the frequency and sensitivity response useful for accurately recording drums and percussion instruments. The D4 can be distinguished from the other models by the logo stamped on the mic, and by the color of the fine-mesh blast screen inside the black grille; on the D4, the inner screen is red, as pictured here. The earlier chart (circa 2001) showed a rising high-frequency response, peaking at +9dB at 10kHz. The D4 features a dynamic element capable of reproducing signals with high transients peaks without producing the … Hypercardioid The Audix D4 has a wide frequency response from 40 Hz in the low end to 18 kHz in the high end. Please let us know! ตามประสบการณ์ดีที่สุดบนเว็บไซต์ของเรา ต้องเปิด Javascript ในเบราว์เซอร์ของคุณ, เป็นไมค์แบบ dynamic มีรูปแบบการรับเสียงแบบ Hypercardioid Polar Pattern ตอบสนองความถี่ 38Hz to 19kHz, Impedance 200 Ohms, เหมาะสำหรับ rack tom, floor tom, small kick drum, Cajon, djembe, tympani, leslie bottom, Bass flute, sax and baritone sax, trombone. Did we get anything wrong on this page? Versus the RE20 the D4 had more punch, and again the top end was interestingly different. Sensitivity 1.4 mV/Pa @1k. Impedance 280 ohms Perfect for close micing drums and percussion. Like all dynamic mics, it handles high SPL without breaking up. And the high end on the D4 was much cleaner, minus that D12 midrange honk. Polar Pattern Hypercardioid Its hypercardioid pickup pattern reduces bleed from nearby sources. The current chart shows a less pronounced boost, +6dB at 5kHz, with a secondary peak above 10kHz. The D4 is lightweight, compact and easy to position. The D4 case is identical in size and shape to the D1, D2, and D3. JavaScript ดูเหมือนจะถูกปิดใช้งานในเบราว์เซอร์ของคุณ Its compact design facilitates positioning around a drum kit, which is the D4’s primary application — kick drum and low toms. MIXI miked a single-headed kick with the D4 mounted on a 5-inch desk stand, and set up directly in front of the kick without a boom. The D4 hypercardioid is also equipped with a VLM™ diaphragm for natural accurate sound reproduction. It has a transformerless, low-impedance, balanced output circuit. I certainly found myself using radically different eq than usual, but it still needed a good boost at 60 cycles to put that kick drum right in my chest where I like it. Many sound engineers prefer the D4 for floor tom, Djembe, or any instrument with a similar voicing. The headgrille can be removed easily, exposing the dynamic capsule inside. (See the older chart in the PDF linked from the sidebar.). The D4 is a hypercardioid dynamic instrument microphone, designed especially for low-frequency reproduction. Like all the D-series mics, the D4 uses Audix’ trademarked VLM Very Low Mass diaphragm, which is said to produce faster transient response and more natural sound. Audix D4 With a wide frequency response of 40 Hz - 18 kHz and the ability to handle SPLs in excess of 144 dB, the D4 dynamic instrument microphone is an excellent choice for miking instruments requiring precise, low frequency reproduction such as large r Please see the spec sheet under the specifications tab for more information about this product. 23% Off: Audix D4 Hypercardioid Dynamic Drum and Instrument Microphone, 40Hz-18kHz Frequency Response, 280 Ohms Output Impedance. Join our newsletter Exclusive Deals and Offers, Become Our Fan For More Exclusive Discount, สำนักงานใหญ่ เปิดทำการ วันจันทร์ - วันศุกร์ (และทุกวันเสาร์ต้นเดือน), 195/4 Rajpattana Rd., Sapansung,Bangkok, Thailand 10240, ตามประสบการณ์ดีที่สุดบนเว็บไซต์ของเรา ต้องเปิด Javascript ในเบราว์เซอร์ของคุณ, Skip to the beginning of the images gallery, PRESONUS+ERIS+E8+ACTIVE+STUDIO+MONITOR+8″, PRESONUS ERIS E8 ACTIVE STUDIO MONITOR 8″, Type Dynamic Buy now & save $50. The mic’s published frequency-response graph has changed since the mic’s introduction, although it is not known whether the change is due to component/design alterations or measurement processes. While the D12 had a fatter and wider bottom, the D4 had a slightly deeper tone. Frequency Response 40Hz - 18kHz Recording MagazineI put the D4 up against two of my favorites, an old AKG D12 and an Electro-Voice RE20. Interface: XLR, Microphone Technology: Small Element Dynamic Further, the current chart shows a low-frequency rolloff below 70Hz. With a wide frequency response of 40 Hz - 18 kHz and the ability to handle SPLs in excess of 144 dB, the D4 dynamic instrument microphone is an excellent choice for miking instruments requiring precise, low frequency reproduction such as large rack toms, floor toms, cajon, djembe, tympani, leslie bottom, bass flute, saxophone and baritone saxophone, trombone, acoustic bass, bass cabinets and small kick drums. Audix D4 Hypercardioid Dynamic Microphone. (2.1 mV/Pa; 40 - 18,000 Hz). All are milled from a solid block of aluminum and finished in black. The results were superb, with excellent off-axis rejection. - Live stage or recording - Large rack tom, floor tom, small kick drum- Cajon, djembe, tympani, leslie bottom- Bass flute, sax and baritone sax, trombone- Acoustic bass, bass cabs. The grille is made of “spring steel” mesh. A carry pouch and mic clip are included. Its compact design facilitates positioning around a drum kit, which is the D4’s primary application — kick drum and low toms. The D4's redesigned capsule focuses on sounds below 100 Hz, with a wide frequency response and broad hypercardioid pickup pattern. The D4 is a hypercardioid dynamic instrument microphone, designed especially for low-frequency reproduction.

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